Patrimonio material e inmaterial. El circo teatro, manifestación del arte del montaje y desmontaje

Abstract

This academic study deals about a traditional Colombian architecture born to receive bullfighting festivals, showing an interesting fusion between in­digenous construction tradition and models of Hispanic extraction (Bullfi­ghting), and where tangible and intangible heritage seem to intersect. This nomadic architecture finds great diffusion in this tropical region from the Colombian Caribbean since it is related to the same changing design of the regional territory that shows a dynamic hydrographic level that occupies and vacates the tropical forest according to the dry or wet season. This archi­tectural reality seems to preserve the values of an immaterial culture that claims to be recognized to be preserved and protected through design tools such as survey and representation.